Inspiration Award: Paul Baule (MA Digital Direction) for WOOD YOU
WOOD YOU is an immersive installation that combines historic satellite imagery of deforestation in the Amazon with 3D animation and acoustic interaction. Depending on the acoustic intensity of an audio trigger, each of these nine video-playheads will jump back and forth in time, showing the year-by-year change of selected deforestation sites between 1985 and 2020.
Each piece displays largely intact forest areas when the audience is quiet and reveals varying patterns of cleared farmland as ambient noise increases. It is up to each visitor to decide how to interact with the work, how to relate to the displayed forest/deforestation, and consequently, how the forest/deforestation responds to their presence.
Innovation Award - Ankita Khanna (MA Design Products) and Yohaan Kukreja (MA/MSc Innovation Design Engineering) for the project RAW Materials (Renewable Agricultural Waste)
RAW Materials (Renewable Agricultural Waste) is a rice straw-derived, biodegradable composite and sheet material for the fashion industry. It responds to the problem of rice straw burning, a practice that takes place in Punjab, India, and leads to the burning of 21 million tons of rice straw annually. This creates severe air pollution, with the air quality index (AQI) often exceeding 400 in the country, and results in significant health issues, economic losses, and soil degradation.
This project aims to reduce rice straw burning by up to 30% in the next five years, as well as offering a sustainable alternative to synthetic materials in footwear production. It transforms agricultural waste into valuable products that can be mass-produced and easily integrated into existing manufacturing processes. The approach goes beyond creating eco-friendly materials by reshaping the supply chain to prioritise sustainability.
Aesthetics and Craft Award: Kahee Jeong (MA Painting) for Where do we come from? What are we? Where are we going?
This project was born from the lockdown necessity of painting at home, rather than in a studio. Before the pandemic, Kahee Jeong primarily used oil paints and solvents that could be harmful to the environment. Being forced to paint only at home without a suitable disposal system prompted Kahee to change painting materials to non-toxic mediums, including self-made dyes from food waste and natural sources that would not be harmful to humans or the environment when disposed of.
This project uses the natural, handmade paints in interactive and smudged images on raw canvas and reused objects. This practice reflects Jeong's dual background as an artist and pharmacist, striving for sustainability through eco-friendly artwork and minimising environmental impact in the creative process.